Die Oper benötigt den Chor, und genau im Chor finden sich immer wieder Infizierte mit dem Corona-Virus. Um dennoch zur Feier des Festtages von Sant'. Die Mailänder Scala, italienisch Teatro alla Scala in Mailand, auch kurz Scala, ist eines der bekanntesten und bedeutendsten Opernhäuser der Welt. Es liegt an. Gute Tichets für La Scala Opernhaus in Mailand kaufen. Tickets für Ballett und Oper mit Lieferung.
BR-KLASSIKDas Opernhaus Scala ist ein aktives Theater, daher sind die Öffnungszeiten abhängig von den Anforderungen der künstlerischen Produktion. Aus diesem Grund. Teatro alla Scala di Milano. - Teatro Informationen Beschreibung Kalender Drucken Xl_avatar. Allgemeine Informationen. Name des Opernhauses. So bekannt wie diese Opern sind auch die Interpreten, die in der Mailänder Scala regelmäßig auftreten – darunter Placido Domingo, Anna Netrebko oder Jonas.
Scala Oper Navigationsmenü VideoLA SCALA DI SETA - GIOACHINO ROSSINI - 1990 ( SCHWETZINGEN )
Recht Scala Oper oder einen Scala Oper schlie? - Die besten Tickets für Oper und Ballett buchenDie Saison beginnt alljährlich am 7. Vom Theater bis hin zum Museum, hören Sie Geschichten Je frühzeitiger Sie das machen, desto breiter ist der Angebot an Plätze im Zuschauerraum. Wichtige Informationen.
Eine heftige Diskussion über die Art der Sanierung entbrannte. Trotz erheblichen Protests, einer Sammlung von Der gesamte hintere Teil, beginnend mit der Bühne aus Holz, wurde entfernt.
Von bis Anfang Dezember war die Mailänder Scala geschlossen, um Akustik und Bühnentechnik auf den neuesten Stand zu bringen und dabei doch den Stil der ursprünglichen Inneneinrichtung weitgehend zu erhalten.
Mit der Renovierung wurde der Schweizer Architekt Mario Botta beauftragt. Unter seiner Verantwortung entstand ein Theater mit modernster Bühnentechnik, aber Foyer und Zuschauerraum erhielten eine Rekonstruktion der Ausstattung von Seither kann auf drei Bühnen gleichzeitig geprobt werden.
Wieder eröffnet wurde das Opernhaus am 7. Regie führte Luca Ronconi , die Ausstattung entwarf Pier Luigi Pizzi , Dirigent war Riccardo Muti , die Hauptrolle sang die deutsche Sopranistin Diana Damrau.
Unter den geladenen Gästen waren Sophia Loren und Giorgio Armani sowie Angehörige mehrerer europäischer Königshäuser. Eine Eintrittskarte der höchsten Preiskategorie zur Eröffnungsveranstaltung kostete Euro.
Ein Konflikt entzündete sich an der Person des Nachfolgers von Intendant Carlo Fontana. Musikdirektor Muti favorisierte Maurizio Meli , gegen den sich jedoch die Belegschaft in Protestversammlungen aussprach.
Die Wogen schlugen so hoch, dass Muti das Vertrauen in seine Person nicht mehr gegeben sah und zurücktrat. Lissner wurde bestellt und gab dafür seine Position in Aix auf.
Oktober trat Alexander Pereira die Nachfolge Lissners an. Im März lehnte der Scala- Aufsichtsrat den Einstieg Saudi-Arabiens — gegen Zahlung einiger Millionen als Sponsor — in das Mailänder Opernhaus ab.
Die Saison beginnt alljährlich am 7. Dezember, dem Namenstag des Stadtpatrons von Mailand, dem Bischof und Kirchenvater Hl. Ambrosius Sant'Ambrogio.
Laut Auskunft des Opernhauses befinden sich die besten Plätze in Bezug auf Sicht und Akustik in den Logen 19, die in der Mitte des hinteren Parketts liegen.
Auch auf der Webseite wird eigens in Fettschrift  darauf hingewiesen, da dies für italienische Sitten durchaus nicht gewohnt ist.
Früher war es sogar üblich, die Uhren nach dem Spielbeginn zu richten. Zum Jahrestag der Einweihung am 3. The theatre is regarded as one of the leading opera and ballet theatres in the world and is home to the La Scala Theatre Chorus, La Scala Theatre Ballet , La Scala Theatre Orchestra, and the Filarmonica della Scala orchestra.
The theatre also has an associate school, known as the La Scala Theatre Academy Italian: Accademia Teatro alla Scala , which offers professional training in music, dance, stage craft and stage management.
La Scala's season opens on 7 December, Saint Ambrose 's Day, the feast day of Milan's patron saint. All performances must end before midnight, and long operas start earlier in the evening when necessary.
The Museo Teatrale alla Scala La Scala Theatre Museum , accessible from the theatre's foyer and a part of the house, contains a collection of paintings, drafts, statues, costumes, and other documents regarding La Scala's and opera history in general.
La Scala also hosts the Accademia d'Arti e Mestieri dello Spettacolo Academy for the Performing Arts. Its goal is to train a new generation of young musicians, technical staff, and dancers at the Scuola di Ballo del Teatro alla Scala , one of the Academy's divisions.
Above the boxes, La Scala has a gallery—called the loggione —where the less wealthy can watch the performances. The gallery is typically crowded with the most critical opera aficionados, known as the loggionisti, who can be ecstatic or merciless towards singers' perceived successes or failures.
For example, in , tenor Roberto Alagna left the stage after being booed during a performance of Aida , forcing his understudy , Antonello Palombi , to quickly replace him mid-scene without time to change into a costume.
Alagna did not return to the production. A fire destroyed the previous theatre, the Teatro Regio Ducale , on 25 February , after a carnival gala.
A group of ninety wealthy Milanese, who owned private boxes in the theatre, wrote to Archduke Ferdinand of Austria-Este asking for a new theatre and a provisional one to be used while completing the new one.
The neoclassical architect Giuseppe Piermarini produced an initial design but it was rejected by Count Firmian the governor of the then Austrian Lombardy.
A second plan was accepted in by Empress Maria Theresa. The new theatre was built on the former location of the church of Santa Maria alla Scala , from which the theatre gets its name.
The church was deconsecrated and demolished and, over a period of two years, the theatre was completed by Pietro Marliani, Pietro Nosetti and Antonio and Giuseppe Fe.
The theatre had a total of "3, or so" seats  organized into pit-stalls, arranged in six tiers of boxes above which is the 'loggione' or two galleries.
Its stage is one of the largest in Italy Building expenses were covered by the sale of boxes, which were lavishly decorated by their owners, impressing observers such as Stendhal.
La Scala as it came to be known soon became the preeminent meeting place for noble and wealthy Milanese people.
In the tradition of the times, the main floor had no chairs and spectators watched the shows standing up. The orchestra was in full sight, as the orchestra pit had not yet been built.
As with most of the theatres at that time, La Scala was also a casino , with gamblers sitting in the foyer.
At the Opera they were giving Otto Nicolai 's Templario. Unfortunately, as is well known, the theatre of La Scala serves, not only as the universal drawing-room for all the society of Milan, but every sort of trading transaction, from horse-dealing to stock-jobbing, is carried on in the pit; so that brief and far between are the snatches of melody one can catch.
La Scala was originally illuminated with 84 oil lamps mounted on the stage and another thousand in the rest of theatre.
To reduce the risks of fire, several rooms were filled with hundreds of water buckets. In time, oil lamps were replaced by gas lamps, these in turn were replaced by electric lights in The original structure was renovated in , when it was given its current layout with 1, seats.
In , during World War II , La Scala was severely damaged by bombing. It was rebuilt and reopened on 11 May , with a memorable concert conducted by Arturo Toscanini —twice La Scala's principal conductor and an associate of the composers Giuseppe Verdi and Giacomo Puccini —with a soprano solo by Renata Tebaldi , which created a sensation.
La Scala hosted the first productions of many famous operas, and had a special relationship with Verdi. For several years, however, Verdi did not allow his work to be played here, as some of his music had been modified he said "corrupted" by the orchestra.
This dispute originated in a disagreement over the production of his Giovanna d'Arco in ; however the composer later conducted his Requiem there on 25 May and he announced in that La Scala would host the premiere of what was to become his penultimate opera, Otello.
In , the Filarmonica della Scala orchestra was established to develop a symphonic repertoire to add to La Scala's operatic tradition,  the orchestra drawing its members from the larger pool of musicians that comprise the Orchestra della Scala.
The Filarmonica was conducted first by Carlo Maria Giulini , then by Riccardo Muti , plus many collaborative relations with some of the greatest conductors of the time.
The theatre underwent a major renovation from early to late The theatre closed following the traditional 7 December season opening performances of Otello , which ran through December.
From 19 January to November , the opera company transferred to the new Teatro degli Arcimboldi , built in the Pirelli-Bicocca industrial area 4.
The renovation by architect Mario Botta proved controversial, as preservationists feared that historic details would be lost.
However, the opera company was satisfied with the improvements to the structure and the sound quality, which was enhanced when the heavy red carpets in the hall were removed.
The stage was entirely rebuilt, and an enlarged backstage allows more sets to be stored, permitting more productions.
Seats now include monitors for the electronic libretto system provided by Radio Marconi , an Italian company, allowing audiences to follow opera libretti in English and Italian in addition to the original language.
The opera house re-opened on 7 December with a production, conducted by Riccardo Muti , of Salieri's Europa riconosciuta , the opera performed at La Scala's inauguration in Carlo Fontana, the general manager of La Scala since , was dismissed in February by the board of governors over differences with the music director, Riccardo Muti.
The resulting staff backlash caused serious disruptions and staff strikes. In a statement, the theatre's board said it was "urgent to unify the theatre's management".
Previous Page Print Page. Dashboard Logout. Checks if the values of two operands are equal or not, if values are not equal then condition becomes true.
Checks if the value of left operand is greater than the value of right operand, if yes then condition becomes true.
Checks if the value of left operand is less than the value of right operand, if yes then condition becomes true. Checks if the value of left operand is greater than or equal to the value of right operand, if yes then condition becomes true.
Checks if the value of left operand is less than or equal to the value of right operand, if yes then condition becomes true. It is called Logical AND operator.
If both the operands are non zero then condition becomes true. It is called Logical OR Operator. If any of the two operands is non zero then condition becomes true.
It is called Logical NOT Operator. Use to reverses the logical state of its operand.Le nozze di Figaro - Teatro alla ScalaCast: Lenneke Ruiten, Sabine Devieilhe, Mauro Peter, Maximilian Schmitt, and Tobias Kehrer. Charles Gounod. Serien Stream Brooklyn Nine Nine Rosenkavalier - Teatro alla ScalaP Authority control MBP : bec3-abdebb7a53ba05b64 NLA : Barış Falay : Trove : VIAF : WorldCat Alfredissimo! : lccn-n